Best Makeup Room Tour 2018

From a quick ambit of his Instagram page, it would be accessible to accept that architecture artisan Scott Osbourne is active the life. At aloof 22 years old, he's in aerial appeal in Los Angeles; he counts table-shaking artists and personalities like Rico Nasty, Keke Palmer, Doja Cat, and the Clermont Twins as clients. Plus, he's developed the affectionate of signature, consummate appearance — one that sees architecture as art, and knows that art can be animal and adamant and blowzy — that will be advised and actual decades from now. But as with best things you become accustomed with by scrolling on your phone, there's so abundant added to his story, and it's one account knowing.

Osbourne grew up in Bowie, Maryland, and he consistently knew he capital to do makeup. From watching his mom's growing career as a model, to surrounding himself (and his adolescence bedchamber walls) with appearance and adorableness magazines and tabloids, he saw architecture as his way into the industry fold. "I was aloof consistently aggressive by the bizarre," he told NYLON over the phone. "I aloof consistently admired to angle out." He'd do architecture for friends' dances and proms, and eventually congenital up his bounded audience from chat of mouth, all while in the 10th grade. Aback he eventually got his license, he started accomplishing weddings, too.

In 2016, Osbourne accelerating aerial academy and angry 18 — the age one can assuredly administer to MAC, a appearing rite of access for the architecture world's better and brightest today. "My altogether was June 28," he says. "I activated to MAC on June 29." He formed there for aloof nine abbreviate months (a alterity with a accessory got him fired), but his accelerated advance there, affair a lot of new audience and accretion his artistry, assuredly set him up for what was next.

As a freelancer, he was demography assignment as it came, acrimonious up New York Appearance Week gigs and growing his approved audience when, one day — he remembers the exact date, Jan. 14, 2018 — he got tagged in the comments of an Instagram post. A hairstylist was attractive for a architecture artisan in the breadth to assignment on one of her clients. The client? Rico Nasty. "I didn't apperceive who Rico was at that time," Osbourne says. "I had heard her name and stuff, but I absolutely didn't apperceive who she was. That day I went and did her makeup, and she fell in adulation with it. Ever aback then, I've been accomplishing her architecture nonstop."

Osbourne confused to LA anon after, as he fell in adulation with the burghal and all of its possibilities while out west for Rico's 2018 Fader cover. Bodies started seeing him assignment with the rapper, and his buzz was alarming up with requests from advancing artists and Instagram girls alike. Stability was acceptable added of a reality, abrogation added allowance for Osbourne to do the assignment he absolutely capital to do.

"My architecture absolutely didn't booty off on a big breach until I took my aboriginal U.S. bout with Rico. The aboriginal night we did some soft, appealing glam, it was cute," he says. "But for the additional night, I was like, 'Yo, Rico, let's do article fun, article wild.'" Rico obliged, and what came out of it would go on to ascertain not abandoned Rico's cool, cyber-goth look, but Osbourne's aesthetic, abounding of fantasy.

"I concluded up cartoon a absolutely big affection on one eye, and added was a absolutely appealing eyeshadow. If she angry her face to the added ancillary it was like two altered people," he explained. "That was basically the alpha of the crazy glam. For her accomplished U.S. tour, aggregate was article wild. It went from me putting stickers on her face to me demography her brows away, replacing her brows with assurance pins or stars or rhinestones and jewels. Bodies started see it, they were like, 'Oh sh*t. Nobody abroad is accomplishing this. Who the f*ck is this?'" Calls kept advancing in, and added clients, like rapper Coi Leray, became regulars. "I fabricated a name for myself that I could do bendable glam, I could do no-makeup-makeup, and I could do what I absolutely capital to do, the fun, affecting actuality that added bodies aren't doing."

Osbourne credits aggregate from altered annoyance shows to Cirque du Soleil to Pat McGrath as his inspirations, citation old amphitheater shows and the '90s supermodel movement, area it wasn't attenuate to see Cindy or Naomi in abstract bloom or a wild, "dragged out" eye. It's additionally not absent on him that best of his audience are Atramentous women, and that their identities abandoned add to the shock bureau of his over-the-top looks.

"You don't absolutely get to see Atramentous women in an beat light," he says. "You'll see a Hispanic women, you'll see Caucasian women, but you don't absolutely see Atramentous women in all the crazy colors, the ablaze lashes, the ablaze colors on their eyes. That's what I absolutely appetite to focus on. I'm activity to be the artisan that's activity to do it." He keeps the aforementioned activity — advocating for Atramentous lives and Atramentous adroitness and announcement — aback it comes to his kit and cast partnerships, too.

When the Atramentous Lives Matter movement was reinvigorated afterwards the afterlife George Floyd at the easily of police, Osbourne aggregate a account to his Instagram belief of brands that hadn't announced up about the movement — one that included brands he acclimated in his kit, like NARS, Charlotte Tilbury, and Revlon (all of whom who eventually appear statements of sorts).

"You've got to allege up about it. To see so abounding brands switching off or actuality quiet about it, and again architecture artists like me or Jackie Aina and a lot of altered bodies calling them out, and again they appetite to allege about it," he says. "It's like, do you guys absolutely abutment the Atramentous Lives Matter or are you aloof accomplishing it so that you guys can accumulate your ballyhoo and your name clean? It showed me a lot of altered brands, who to assignment with, who not to assignment with; it fabricated a lot of bodies change their ways." He after aggregate a altered list, one of Black-owned adorableness brands to support, including some of his favorites to use on clients, like The Lip Bar, UOMA Beauty, and Pat McGrath Labs.

On a claimed level, Osbourne's Blackness, commutual with his anomalous identity, generally leave him to be perceived and commonly underestimated in a way that avalanche short. "A lot of times aback I go in on set, for bodies who don't apperceive me or it's their aboriginal time affair me, they'll say, 'Oh my God, I wasn't assured you to attending so chill. I would apprehend you to appear in with your architecture done.' Actuality a macho architecture artisan is consistently like that, one accepted that they automatically appetite to accept you are. Activity in there as a atramentous male, it's consistently a little footfall harder because I see a lot of altered artists [of added races] that don't alike do bisected of the assignment that I do, but they're at a college level."

To be clear, aggregate Osbourne has done, has been what he himself has done on his own — no manager, no agency. "Everything is me aloof extensive out to people, aloof off meetings, off Instagram. Aloof me actuality adolescent and hungry," he says. In the beneath than three years he's been in the above leagues, Osbourne's artful has trickled into the mainstream. He's alike begin out that his assignment was on the affection lath for HBO's hit alternation Euphoria.

"When I aboriginal started accomplishing Rico's makeup, I was putting beam on her eyes, on her cheeks, beam lips," he remembers. "I was activity absolute beam highlighters, putting rhinestones all over her face, on her lips, on her eyelashes, no one was accomplishing it. It was like a Atramentous man creating boilerplate trends and it was amazing to me because it was like, on the backend, I apperceive what I did. I don't absolutely charge added people's validation because I apperceive it's me that did it."

In acknowledgment to what keeps him inspired, what keeps him creating absolutely different and avant-garde looks and concepts day in and day out, Osbourne stresses on the history he advised — and continues to abstraction — so carefully from the beginning.

"Old campaigns," he says enthusiastically, like he could allocution about them forever. "Old Dolce & Gabbana campaigns, old Dior campaigns. I absolutely get aggressive by old times. Attractive at how architecture looked in the old days, it's like we forgot about it," he says, referencing a 2001 Iceberg attack starring a naked Pamela Anderson on the aback of a motorcycle. "It was like my architecture afflatus in a account — her architecture was crazy but the accomplished artful of the photo was a feeling. It's aloof so nostalgic. Whenever I do architecture I appetite bodies to think, 'Oh my God, this architecture makes me feel something.'"

Best Makeup Room Tour 2018 - Makeup Room Tour 2018
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