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Joe Zammit Ciantar writes about his accord in, and reflections on the Good Friday advance organised by St George’s archdiocese in Victoria in the 1950s.
After World War II, my ancestors confused from Sannat to Victoria. In my adolescence in the 1950s, alone St George’s archdiocese acclaimed Good Friday with a procession, and my mother Carmela acclimated to hire a anorak so I could booty allotment in it. Calm with added boys (girls were not allowed!) of my age, I would abrasion this brownish white tunic, authority a baby red pillow with a board cantankerous on it and airing abaft one of the Passion effigies. Later, aback I was about 12, I additionally took allotment captivation a lantern on a stick that my ancestor made, or as a ‘knight’ captivation the banner.
I acclimated to go to St George’s abbey to see volunteers busily putting up the Passion base effigies anon afterwards Ash Wednesday. The skeletons of the sculptures would be placed in amid the nave’s ancillary columns. Many youths and men would backpack boxes with anatomy genitalia fabricated of papier mâché and admirable clover clothes to complete and dress up the sculptures. I was consistently afflicted by these statues, and acclimated to admiration how they were fabricated so accurate to life-like animal beings.
I admired art. I was bugged and mesmerised by all kinds of sculptures. And that is why, during a two-month abstraction and convenance at the Accademia di Belle Arti in Perugia, in 1971, I ‘stole’ some adobe to actualize sculptures which I broiled and which today beautify corners in my home. They included statues apery moments in the Passion of Our Lord, abnormally those of the Good Friday advance acclaimed by St George’s parish.
Today, several Good Friday processions alpha with a ample representation of ‘The Aftermost Supper ‘with Christ and the 12 apostles at table. But the 1950s advance at St George’s archdiocese started with the ‘Jesus in the Garden of Gethsemane’. In Luke 22: 43-44 we apprehend that “being in anguish, he prayed added earnestly, and his diaphoresis was like drops of claret falling to the ground”. I already apprehend an commodity by a cardiologist who interpreted this aftermost band in Luke as adumbrative of a astringent affection attack, and he accepted that Jesus died of addition affection attack, this time fatal.
Today I admiration if it is ethical to appearance these atrocious portrayals to adolescent children
Modern advisers adapt Jesus’s afterlife as a aftereffect of either a hypovolaemic shock or by asphyxiation, both of which can account aqueous to anatomy up abreast the affection – appropriately aback “one of the soldiers broken his ancillary with a spear, …at already there came out claret and water”. [John 19:34]
The additional bronze in the 1950s advance was that of Jesus angry to a cavalcade and beaten. Today, St George’s archdiocese has a board amount sculpted by Alfred Camilleri Cauchi, son of the acclaimed Wistin (originally Agostino) Camilleri, which replaced the one I was accustomed with, fabricated of the accepted paper, bolt and cement mixture.
This bronze was followed with a agnate Christ, this time cutting a acme fabricated of annoying continued barbed branches on his head, a red clover mantel on his shoulders, captivation a argent sceptre-like rod in his easily angry calm with a allotment of rope. Both are adumbrative of the acrid ache the Romans enjoyed watching in the Colosseum. Today I admiration if it is ethical to appearance these atrocious portrayals to adolescent children.
I never accepted why the representation of Jesus accustomed the cantankerous is alleged ‘the Redeemer’. Jesus adored mankind with his afterlife on the cross. And yet the aesthetic amount of Jesus with his face abounding of claret arising bottomward from the wounds in his arch is one of the images that adore abundant devotion; the ‘Redeemer’ in Senglea comes to mind. Abaft this affecting amount of Christ abounding with the cross, adolescent men with faces hidden beneath hoods cull long, abundant adamant chains of assorted array angry to their ankles; some do this in approbation for accepting a grace.
Veronica was a woman in Jerusalem who gave Jesus her arch bolt to clean his face as he agitated the cantankerous to Calvary. Later in life, I abstruse that the adventure of an angel of Jesus’s face actuality afflicted on the bolt – appropriately her name from ‘vera’ ‘icona’, acceptation ‘true image’ – is alone a accepted legend. But the angel of the woman assuming the ample bolt was consistently impressive.
The Passion was for me the saddest representations in the procession. How could anybody bang nails in the easily and anxiety of a animal being? Would the easily be able abundant to authority the anatomy of a man blind on them? How could the Virgin Mary angle beside her crucified son? How could bodies ask for a man to be crucified – as I acclimated to cry out in Dun Alwiġ’s calligraphy of Il-Passjoni, performed at the Salesian Oratory in 1961 – and adore watching it from a distance? Yet, the agreement of the beheading representation was absolutely beautiful, imposing, and actual emotive.
The ability and décor of the tomb amount about alienate the actuality that it represents the burying of Jesus. The ample accessory board sculptured case is gilded all over. Red curtains adhere from the abandon of the interior. It is lit aural assuming the asleep anatomy of Jesus laid inside. Abaft this advance absolved the bishop, accompanied by the archpriest and added clerics, cutting adored colourful vestments.
It was abaft the amount of Our Lady of Sorrows – Mary afflicted the accident of Jesus – that, dressed as a knight, I had absolved solemnly. Many people, mostly dressed in black, some alike barefoot, absolved abaft us. The angel of Our Lady afflicted by her son’s afterlife is actual striking, abnormally to women; mothers who buck accouchement can empathise with Mary added than men.
After the advance there was a commotion as the participants removed chains alfresco and bodies pushed the statues aback to their place. What followed to adapt the abbey for Easter Sunday is addition story.
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